![]() TheĮnormity of this talent can be seen when compared to the 4 Major labels having just over 140 local artists on their ![]() Independent Awards highlights the enormous amount of talent and diversity within the Australian music scene. The independent music scene in Australia is a thriving and ever-growing part of the wider music community with overġ4,000 artists playing more than 75,000 shows a year and recording in excess of 85,000 songs. Independent and Unsigned Artists in Australia. Musicoz Celebrates it’s tenth year, as a national organization founded to support the development of The Musicoz Awards gives Independent and Unsigned Artists, vital recognition, support, and exposure Performances will include a combination ofĬontemporary genres, such as Rock, Urban, Pop, Acoustic, Classical, Jazz, Folk and Country. Performance show of its kind to be held in the Town Hall. The 2010 Musicoz Awards will be the FIRST EVER Most advanced new sound systems of it kind in Australia. The Town Hall has just completed a major refurbishment that now boasts the ![]() The winners of the 2010 National Musicoz Awards will be decided on Friday 26th March at the newly You know that they meant it straight from the heart When they made that promise 'till death do us part" When he nervously asked her would you be my bride They fell in love and they remember the night He plucked up the courage to take her hand in hisĪnd there on her doorstep they stole their first kiss If you wrap me up and send me back to 1959Īnd she'd look so pretty ponytail in her hair You can call me sentimental but I really wouldn't mind There's been so many good things left behind There's been so many changes down through the years He said 'Jen won't be long so you'd better come in'Īnd he waits on the couch, flowers in his hand Her father appears and looks him up and down He knocks on her door and he can hear his heart pound He's taking out Jenny it's their first date When he walked out the door he'd kiss his mother goodbye Richard T.He'd Brylcreamed his hair and straightened his tie Plunkett & Macleane is in the end pretty frivolous, but it's a lively debut nonetheless. Chance (who favors a thumb through the eye socket and into the brain as a mode of execution), and Terence Rigby as a philosophical jailer even Liv Tyler looks more interesting than usual. Why shouldn't a filmmaker be allowed to speak directly to a contemporary consciousness, even flaunt it, as long as he also delivers startling imagery and convincing period detail? The solid cast includes Michael Gambon as a corrupt magistrate, Ken Stott as a very nasty enforcer named Mr. A decadent aristo (Alan Cumming), asked whether he "still swings both ways," replies, "I swing every way!" A ballroom full of revelers dances the minuet (or is it the gavotte?) while our ears-if not theirs-are filled with a rock ballad. Son Jake has made a feisty period piece about a pair of thieves (Robert Carlyle, Jonny Lee Miller) in 1748 London and filled it with blatant anachronisms. Dad took a Joseph Conrad tale of the Napoleonic Wars, cast it with the ultra-contemporary Keith Carradine and Harvey Keitel, and filmed it with a swoopingly mobile camera. ![]() Your inclination may depend on whether you recall his dad Ridley's own directing debut, The Duellists (1977), and savor the correspondences. Either you go with its notion of cheeky, stylish fun or you want to grab first-time director Jake Scott by the ear and slap him silly. No one will be neutral about Plunkett & Macleane.
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